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From Booklist
Stephenson follows his startlingly original Snow Crash (1992) and The Diamond Age (1995) with proof that he can do as well at twice the page-count, and not only that, but with the promise that this immense volume begins a saga that may rival Robert Jordan's Wheel of Time in its eventual proportions. Volume one, then, is the well-told tale of a World War II code breaker whose descendants end up trying to track down the secrets of the Third Reich's cryptographers--secrets that may liberate or ruin the cybertech world of the present day. Stephenson mixes historical and contemporary settings, handling both with great skill, as he presents a large cast of vividly imagined characters, notably including the original code breaker's granddaughter, and makes both the tale's technology and its conspiracies highly believable. His choice to tell the entire story in the present tense rather calls attention to itself, and, given a book nearly 1,000 pages long, every word is not really essential. Still, this is a book that should be bought for the sake of saying that you have it and read, however long that takes, for the pleasure and intellectual stimulation it is likely to give to most readers. Imagine Tom Clancy turning to cyberpunk, and you have some idea of its broad potential appeal.
The New York Times Book Review, Dwight Garner
Cryptonomicon ... wants to blow your mind while keeping you well fed and happy. For the most part, it succeeds. It's brain candy for bitheads.
--Wall Street Journal
"Suspenseful...moves along as such a fantastic clip."
--USA Today
"Fascinating...hysterical."

From Booklist
This colossal novel by the author of the equally plethoric Cryptonomicon (1999) begins the Baroque Cycle, a trilogy set in the late seventeenth and early eighteenth centuries, when the foundations were being laid for the science and mathematics that led to the cryptography in Cryptonomi con; and despite its heft, it is readable as well as highly impressive, not least for the feeling for history it displays--something that will, however, surprise only those who haven't read the earlier book. The three main characters, ancestors of some of Cryptonomicon 's protagonists, are formidable representatives of their times and places. Daniel Waterhouse possesses a gifted scientific mind and is trying to go beyond the limits of alchemy to achieve a new understanding of the world; through his eyes, we see such titans of Enlightenment science as Robert Hooke and Isaac Newton. Jack Shaftoe is a street urchin from London who rises to a powerful position in Europe's vagabond community. Eliza, raised in a Turkish harem from which she escapes, lives fairly successfully by her wits, which encompass the know-how for supplying the ingredients of gunpowder. These three have the largest roles, but the book's flavor is imparted in the opening scene, featuring a young and curious Benjamin Franklin. As rich in character sketches as it is in well-developed scenes, Quicksilver will have readers--especially the history buffs among them--happily turning all its many pages.
New York Times Book Review
"[QUICKSILVER] explores the philosophical concerns of today . . . through thrillingly clever, suspenseful and amusing plot twists."
Seattle Times
"A sprawling, engrossing tale."
Time magazine
"Genius . . . You’ll wish it were longer."
Sunday Telegraph
"An astonishing achievement."
Newsweek
"Sprawling, irreverent, and ultimately profound."
New York Times Book Review
"[QUICKSILVER] explores the philosophical concerns of today . . . through thrillingly clever, suspenseful and amusing plot twists."
Time magazine
"Genius . . . You’ll wish it were longer."

From Booklist
*Starred Review* This guy really likes to write long books. Cyptonomicon, his 1999 epic, was roughly the same length as the entire Lord of the Rings trilogy. Quicksilver (2003), the first volume of his Baroque Cycle, was well over 900 pages, and this second installment is in the same ballpark. It picks up the story in 1689. Jack Shaftoe, self-proclaimed king of the vagabonds, is a galley slave, but that's soon going to change: he and nine of his fellow slaves engineer an escape. Their plan, to steal a cache of Spanish silver, turns out better (and also worse) than they could have imagined. Meanwhile, Eliza, a notorious spy whom Jack once rescued from a Turkish harem, is trying to get to London with her newborn baby. Set during one of history's most exciting times, from 1600 to 1750, this series brilliantly captures the intellectual excitement and cultural revolution of the era. With real-life supporting characters such as Isaac Newton and Wilhelm Leibnitz, the series blends fact and fiction so cleverly that it is virtually impossible to separate one from the other. Stephenson is a graceful writer, never getting bogged down in detail, keeping the story moving, dazzling us with his technique. The concluding volume of the trilogy is scheduled to appear in October 2004, and it's fair to say anyone who reads this one will spend the intervening months waiting with breathless anticipation.
Entertainment Weekly
[T]he definitive historical-sci-fi-epic pirate-comedy-punk love story.  No easy feat, that. A-.
New York Times
"As rollicking and overstuffed as its predecessor [Quicksilver]."

From Booklist
Stephenson, enjoying cult status for his 1999 novel Cryptonomicon as well as the first two installments in a trilogy he calls the Baroque Cycle (Quicksilver [BKL S 1 03] and The Confusion [BKL F 15 04]), brings the long-winded but compulsively readable series to its conclusion. All three volumes have been lengthy but also effective as the author delves deeply into European history in the late-seventeenth and early-nineteenth centuries, eras of great intellectual and political ferment. Daniel Waterhouse, who was introduced in the first volume, has come back to England from the American colonies to mediate a dispute between two scientists, Isaac Newton and Gottfried von Leibniz. Around this continuing struggle, which has a side story encompassing Newton's desire to find a time-bomb-armed criminal gang, led by his archenemy, a counterfeiter called the king of the vagabonds, swirls a larger arena of contention: the probably sooner rather than later death of Queen Anne and whether the Whigs or the Tories will dominate the court in the reign that follows. Obviously--given the book's length--details are profuse, but each detail speedily draws readers into the narrative rather than impeding it. The language, to correlate with the times in which the novel is set, is done in a stately but not overwrought style. Expect considerable demand.

The System of the World is the concluding volume in Neal Stephenson's Baroque Cycle, begun with Quicksilver and continued in The Confusion.

Available April 2006